The Ar3 models are the most elaborate designs with the highest number of work hours that I build.

The bodies and necks are "laminated," constructed from multiple pieces of carefully selected woods. The objectives of this format are: to guarantee and increase the instrument's stability, make the most of unique pieces of heavily seasoned and dry wood (no less than 20 years old, ideally naturally dried), and achieve figures that contribute to the piece's visual aesthetics.

The soundboard work includes carbon fiber parts in its bracing (or struts/bars). The purpose of including this material is to achieve greater longitudinal structure and rigidity for the top (rather than tangential) with lower weight, thereby obtaining high projection and volume, as well as an extra sparkle in the bass.

Certain visual aspects, woods, and design sections can be customized. The most important thing is that we talk to ensure the instrument adapts to each player's particular touch and style.

 Bodies: mahogany, cedar, raulí, ash, oak, maple, mara

 Necks: cedar, mara, mahogany

 Top: spruce, red cedar

 Fretboard: ebony, pau ferro, rosewood

 Headplate / Overlay: mahogany, ash, oak, pau ferro, zebrawood, rosewood

 Bridge: pau ferro laminated in ebony

 Frets: nickel-silver alloy

 Custom hard case included.